The most transparent and naturalistic reverb in ValhallaVintageVerb. Lush chorusing, with none of the metal found in Dirty Plate. Smooth decay at all settings, from short to near-eternal. Drums come alive when sent through Dirty Plate. High echo density, wide stereo image, and just the right amount of metallic sheen. All the warm and gritty artifacts of Dirty Hall, applied to an old-school digital plate algorithm. Plug in your analog synth and send yourself into retro sci-fi heaven. Lusher and denser than the Concert Hall algorithm, with loads of warmth and grit on tap, for a roughly hewn beauty. A fresh look at the Concert Hall algorithm, with the goal being to emulate the strange fixed point and convertor artifacts of early 80s reverb hardware. Sanctuary incorporates the bit reduction and floating-point gain control used in the A/D and D/A convertors of the early digital hardware. Discrete early reflections, a dense late reverb that rapidly builds in echo density, lush detuned modulation. Inspired by a classic German digital reverberator from the 1970s. Useful for adding “air” to drums, vocals, and any place where a reverb should be felt but not heard. Combines time varying randomized early reflections with a full-featured reverb tail, with the balance between early and late reverb controlled by the Attack knob. Same as Random Space, but with the delay randomization replaced with lush chorused modulation. The modulation uses internal delay randomization, to reduce metallic artifacts without the pitch change that can occur in the algorithms with chorused modulation. This generates DEEP and WIDE reverbs, with a slow attack, and more diffusion than the late 1980s algorithms that inspired it. Highly diffuse, high echo density, less coloration than Plate/Room algorithms, chorused modulation. Medium diffusion/early echo density, somewhat darker sound, chorused modulation. Emulates the sound of early 1980s room algorithms. Highly diffuse, bright initial sound, high echo density, lush chorused modulation. Inspired by early 1980s plate algorithms. Similar to the Concert Hall algorithm, but with a brighter initial sound, and deeper and lusher modulation.
Huge spatial image, echo density that can be adjusted from very sparse to very dense, and lush chorusing modulation. Based on the hall algorithms of the late 1970s and early 1980s.
New in ValhallaVintageVerb 1.7.1: Two new reverb modes, Chaotic Hall and Chaotic Chamber!
Valhalla vintage verb or gearslutz update#
The ValhallaPlate 1.5.0 update is available to demo / purchase today, and has been uploaded to the Valhalla DSP user accounts for everyone who has bought the plugin.ValhallaVintageVerb is a postmodern reverb plugin, inspired by the classic hardware digital reverbs of the 1970s and 1980s. Helps to preserve the input panning of signals, while still having a realistic fill of the stereo image over time. A lush chamber/plate hybrid, with a unique approach to the stereo image that is inspired by the "stereo" chambers found in some recording studios. A chamber/plate hybrid that uses the equivalent of 2 parallel mono plates to preserve the stereo image of your input signal. Adamantium and Titanium are both "lighter" plates, while Osmium has a booming low end that is befitting of the densest metal found in nature. Mono-in, stereo-out modes, with the dense upper midrange and lower modal density found in many of these older plates. Adamantium, Titanium, Osmium: Designed to emulate different variants of the EMT140.Inspired by the EMT140, ValhallaPlate recreates the physics and psychophysics of classic steel plate reverberators, and extends this sound into the 21st century. ValhallaPlate is the latest plugin from Valhalla DSP.
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